Wagner Liszt letter
November 20th, 1851.
But, according to my inmost conviction since formed, a work of art, and especially a drama, can have its true effect only when the poetic intention in all its more important motives speaks fully to the senses, and I cannot and dare not sin against this truth which I have recognized.
By the distinctness of representation which is thus made possible, and which at the same time does away with everything of the nature of a lengthy narration, or at least condenses it in a few pregnant moments, I gain sufficient space to intensify the wealth of relations, while in the previous semi-epical mode of treatment I was compelled to cut down and enfeeble all this. I mention only one thing:—
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